James Tynion IV launches Tiny Onion – an independent multimedia production company

Tiny Onion is backed by a seed investment from Lyrical Media and is signed by UTA
BROOKLYN, NY 02/16/24 – James Tynion IV, the New York Times bestselling author behind comic book industry sales
giants Something is Killing the Children, The Department of Truth, The Nice House on the Lake, and W0RLDTR33, has
announced the formation of a new independent production house, Tiny Onion, with aggressive plans across the publishing,
film, television, and animation industries.
“Over the last twelve years, I’ve watched the comics industry from the inside, working alongside its best talent and biggest
publishers, seeing the exciting ways that it can connect to other media spaces, and I’ve managed to work my way to some
prominence. Now I have the chance to take everything I’ve learned and test out every way to make it work even better. Not
just for me, but for the generation of creators coming up behind me.” James Tynion IV, CEO & Founder, Tiny Onion.
Tiny Onion is backed by a seed investment from Lyrical Media, the Los Angeles and New York-based company that
develops, produces, and finances unique stories across multi-media formats, including film, television, video games,
podcasts, and graphic novels.
In the comics space, Tiny Onion is bringing together the brightest minds in behind-the-scenes comic book production to staff
up a full-service independent editorial and design team. Following the principles that have brought Tynion’s work success in
the comics market, the team will seek to identify creative partners and elevate them, curating and packaging the titles before
bringing them to the company’s publishing partners across the industry. Tiny Onion will not operate as a publisher itself, but
rather an independent creative services company with a footprint across many publishers, including BOOM! Studios, Dark
Horse Comics, DSTLRY, and Image Comics.
Tynion is an award-winning comic book writer, best known for his work on the Batman franchise at DC Comics, his DC Black
Label series The Nice House on the Lake, and his independent series The Department of Truth, Something is Killing the
Children, and Wynd. He has won five Eisner Awards, the most prestigious honor in the comics industry, and has been
nominated ten times for the GLAAD Media Award for Outstanding Comic Book – the most nominations of any writer –
winning once in 2017. He has also written for DC’s Detective Comics and Justice League Dark, as well as the New York
Times bestselling Batman/Teenage Mutant Ninja Turtles crossover series.
Leading Tiny Onion’s editorial team is Eric Harburn, who helped Tynion and co-creator Werther Dell’Edera develop
Something is Killing the Children into one of the most successful comic book franchises of the last decade during his time at
publisher BOOM! Studios. While at BOOM!, Harburn also served as editor of the Keanu Reeves comic book series,
BRZRKR, which launched with one of the most successful comic book Kickstarter campaigns of all time. Joining Harburn are
Courtney Menard (formerly of Z2 Comics) as Director of Production, and Jazzlyn Stone (formerly independent) as Director of
While its roots lay in comics, Tiny Onion has ambitions in other media. The company will manage a significant portion of
Tynion’s backlist of intellectual property and is in the process of developing a slate of new projects across the film, television,
and animation industries. Currently in development is previously announced The Department of Truth at entertainment group, SISTER, with Tynion attached as Executive Producer. UTA, who represents James Tynion IV and Lyrical Media, will now represent Tiny Onion in media rights, where it will help the production company grow its producing profile across film and television.
“The benefit of independence is flexibility,” said Tynion. “I know what my big aggressive move in the comic book direct
market next year is going to look like, but there are other ideas we’re cooking that I’m thinking up as medium neutral. We’re
going to develop worlds on the scale of what we did with Something is Killing the Children, and then we’re going to decide
how to bring them into each of the verticals our company is touching. It’s incredibly exciting to be able to think and move that

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