NEW COMICS 4 THIS WEEK (03/18/26)
*All comics will be rated on a scale from 1 to 10*
Absolute Flash # 13 (7.5/10)
Amazing Spider-Man # 24 (8.5/10)
Batman/Superman: World’s Finest # 49 (9/10)
Batwoman # 1 (8.5/10)
Captain America # 8 (8/10)
Deathstroke: The Terminator # 1 (7.5/10)
End of Life # 2 (9/10)
Invincible Universe: Battle Beast # 7 (8/10)
Infernal Hulk # 5 (8/10)
Lobo # 1 (10/10)
New Titans # 33 (7/10)
Nightwing # 136 (8.5/10)
Superman Unlimited # 11 (10/10)
Thundercats x Silverhawks: Road to War # 1 (7/10)
Wade Wilson: Deadpool # 2 (6.5/10)
X-Men # 27 (7/10)
Batwoman # 1– Batwoman returns with a new series that starts strong, thanks to Greg Rucka, who continues to have a firm grasp on Kate Kane’s character. This may feel like a new beginning for new fans, but they should consider reading Rucka’s past stories in “Detective Comics” to better understand Kate’s mission and purpose. Old fans will definitely enjoy this new iteration, especially for the story’s deep, Freudian pacing: Kate ends up in Greece at a sanatorium, undergoing therapy after the death of her twin sister, while confronting a devil prophecy that could bring the world to an end. Rucka creates a more intense, unsettling atmosphere, ensuring Kate Kane receives the love she deserves and further develops her complex character throughout this issue. DaNi’s artwork captures a gritty, gothic vibe that complements Rucka’s writing, which has an intoxicating flair more akin to her style than, say, early Frank Miller — a compliment itself. While new fans might need to do some reading, it’s a solid debut that highlights Rucka’s return to a character he helped bring to prominence, adding enough intrigue to encourage fans to continue supporting this title.
Deathstroke: The Terminator # 1– For fans of this character, Slade Wilson has been known to them as many things, such as the Teen Titans’ main antagonist, ruthless assassin, and deadbeat father, but this new series offers up an interesting but cruel concept that no one can ignore- and that is what would happen if Slade lost everything! When Deathstroke gets a contract to take out a whistleblower, he does not expect the job to go south real quick, which spells disaster for his longtime friend, Wintergreen, not to mention his fortune is in shambles, which takes Deathstroke into a new territory that he’s not used to, but the creative team of Tony Fleecs and Carmine Di Giandomenico deliver a stunning debut issue that equally part violence and part character study and if I can be bold, it’s safe to say that Fleece dives into Slade Wilson’s soul that show how he’s at least trying to walk that fine line between heroism and straight up villainy that in retrospect, gives him a choice to do the honorable thing or choosing to bring pain onto others and I especially like the plot thread of Slade doing his best to be a father to his daughter Rose (he wrote a letter to her letting her know that he’s trying to change) all while showing that Slade can admit how flawless is which is in itself, an intriguing part that Fleece dives into with such strong enthusiasm; This series may be heavy on the blood violence and the bullets flying in the air nonetheless this is by far an compelling new journey that Slade Wilson has embarked upon where his world has been completely upended, it gives further proof that a villain headlining his own series can be a success with the right creative team on hand.
Lobo # 1– THE MAIN MAN IS OFFICIALLY BACK! This series is filthy, loud, unapologetic—and absolutely glorious. The creative team of Skottie Young, Jorge Corona, and Jean-François Beaulieu clearly understands the character, unleashing all of his boisterous, wild, rough-around-the-edges energy in chaotic style. The Main Man is on a kill job until the deal is canceled, as his bounty bosses are bought out by the Omni Mega+ Entertainment Corp, who want him as their new corporate face. Skottie Young perfectly captures Lobo’s voice and destructive mannerisms, blending swagger and jerk-like charm into everything fans love about the character. Readers are treated to his origin in an egotistical montage, even referencing Lobo’s Robert Pattinson-inspired look from the New 52 (which is better left unmentioned!). Jorge Corona’s art, sometimes polarizing, is a perfect fit here—his outrageous alien designs and wild visuals evoke the energy of Simon Bisley. From its satirical take on the anti-hero to its homage to Lobo’s past, present, and future, “Lobo” embraces loud, brash fun while helping DC’s Next Level initiative truly live up to its name.
Superman Unlimited # 11– In “Superman Unlimited,” Jon Kent, now Superman, finally confronts his greatest enemy: Master Txyz, a fourth-dimensional demon who manipulates time and space and claims to have already defeated Jon in the future. The story emphasizes how quickly Jon has been forced to mature—growing from a child to an adult almost overnight and taking on the immense responsibility of being Superman. Writer Dan Slott focuses on Jon’s struggle with his own identity. Despite Jon’s heroism and determination to forge his own path, he is constantly compared to his father, Superman, which causes self-doubt, and Slott thoughtfully explores this challenge, portraying Jon’s journey toward self-discovery (without giving away any spoilers). Fans of earlier Superman stories, especially those by Peter J. Tomasi and Patrick Gleason, will appreciate the emotional callbacks—especially at the story’s end. This issue not only reinforces the “Reign of the Superboys” theme but also sets Jon on a new journey, facing both a new sense of purpose and a powerful enemy, leaving readers eager for what’s next.
About Author
