I Am Qido (2024)
Co-Writer/Letterer: Matt Knowles
Co-Writer: Steph Cannon
Artist: Alessandro Ventura
Colorist: Alan Emmanuel
Rating: 9.5/10
This week, I will examine the one-shot graphic novel “I Am Qido” created by the distinguished team of writers Matt Knowles and Steph Cannon, alongside artist Alessandro Ventura and colorist Alan Emmanuel.
This graphic novel explores the origins of Qido before his appearance in the main timeline of “Heirs of Isildur.” It is set within the Yamaran Empire, known as the “Empire of the Mountain Orchid,” detailing the events that led to its ultimate downfall. At first glance, the narrative impresses with its world-building elements that evoke a captivating atmosphere, engaging readers through the dynamic scripting of Knowles and Cannon, which skillfully utilizes fantasy and horror tropes reminiscent of “Mad Max,” “Soul Calibur,” and “Mortal Kombat,” as well as influences from “Avatar: The Last Airbender.” These influences are notably strong throughout the story. However, it is the portrayal of Qido’s ascent within the Yamatan Empire and his subsequent close bond with his family—disrupted during his rise—that provides profound insight into Qido’s character. This journey, intertwined with themes of personal loss and acceptance, contributes to the emotional depth that makes this one-shot distinctive. The inclusion of the Dark Konquestors and the Soul Rippers, who ultimately annihilate the Yamaran civilization, introduces a chilling element to the narrative, likely to shock readers, especially considering the haunting connection these factions share with Kenjxi, Qido’s brother. This tragic backstory serves as the foundation for Qido’s subsequent involvement in the larger “Heirs of Isildur” universe.
Additionally, Alessandro Ventura’s artwork, complemented by Alan Emanuel’s coloring, delivers rich and compelling visuals that enhance the anime-inspired aesthetic, while also conveying significant emotional depth. The artistry vividly depicts the dark and horrific appearances of both the Dark Konquestors and the Soul Rippers, emphasizing their horror without overstepping boundaries. This one-shot provides a compelling glimpse into Japanese samurai society within the context of a digital era dominated by advanced technology and gadgets. Its unique qualities allow it to stand out independently, offering Knowles and Cannon an ideal platform to showcase their creative brilliance. They craft a character in Qido who is relatable due to his origins, while also immersing audiences in a richly developed world—thanks to the exceptional world-building by Knowles, Cannon, Ventura, and Emanuel that will captivate and transport readers alike.
Well, that’s it for me. Thanks for sticking around, and I look forward to seeing you all next time.
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