NEW COMICS 4 THIS WEEK (04/15/26)
*All comics will be rated on a scale from 1 to 10*
Absolute Batman # 19 (8.5/10)
Batwoman # 2 (7/10)
End of Life # 3 (8/10)
Gatchaman # 17 (6.5/10)
G.I. Joe: A Real American Hero -SSSilent Missions: Zartan #1 (9.5/10)
Ice Cream Man # 45 (10/10)
Invincible Universe: Battle Beast # 8 (6.5/10)
Inglorious X-Force # 4 (7/10)
Lobo # 2 (8/10)
Redcoat # 17 (7/10)
Superman Unlimited # 12 (9/10)
Venom # 257 (7/10)
World’s Finest # 195 (Facsimile Edition) (8/10)
Absolute Batman # 19 – This issue sets a new precedent for highlighting key plot moments, like the debut of Absolute versions of Scarecrow—who is incredibly terrifying—and Deathstroke. The issue also introduces the Absolute Robins, featuring varied interpretations of the Boy Wonders that are both intense and exciting. Scott Snyder packs this issue with significant developments, including Bruce Wayne still struggling with the loss of friends and his fractured alliance with Jim Gordon, which takes a shocking, spoiler-free twist that signals trouble for Batman. The Deathstroke/Robins storyline feels more political, especially with Joker’s involvement, portraying Batman as the antagonist. With Snyder and Dragotta’s direction, it seems all the major plot points have been building toward this issue, which once again turns everything upside down. The world-building remains memorable, and despite the crowded plot, it delivers tension and drama, making it a compelling read.
Ice Cream Man # 45– The latest issue of “Ice Cream Man” centers on a Jimmy Stewart lookalike who, confined to his Greenwich Village apartment with a broken leg, witnesses a murder from afar. He spends most of his days observing his neighbors through his camera. While the theme of voyeurism is well-trodden territory, this particular issue adopts a distinctly Hitchcockian approach, channeling the spirit of “Rear Window” and “Psycho” as the story captures the protagonist’s growing paranoia while watching his neighbors, and the meta-narrative powerfully impacts the reader. W. Maxwell Prince and Martin Morazzo deftly explore the psychological elements, unexpectedly turning them back on the audience—especially in the surprising ending (**NO SPOILERS**). The issue leaves a chilling impression that lingers long after reading. Even if the twist isn’t to everyone’s taste, it still stands out as a compelling entry in a series that continually finds new and innovative ways to expose the terrifying side of everyday life.
Lobo # 2– The Main Man tries to adapt to his new job as a corporate shill for a reality show, and Skottie Young finds a hilariously absurd way to place Lobo in a role that feels too over-the-top, even for him. The story shifts from botched bounties to a chaotic showdown with Aquaman, and even features Lobo overusing the word “frag.” This sharp satire takes aim at corporate culture and amps up the mayhem—after all, it’s Lobo! Young’s bold comedic timing is expressive and intentionally exaggerated, delivering plenty of laughs, while Jorge Corona’s artwork, with its animated and exaggerated style, enhances the comedy, maintaining a fast-paced energy throughout. The series truly hits its stride by fully embracing the chaos and perfectly balancing humor, making it a brilliant read and a welcome return for The Main Man in his own ongoing series.
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