I Love Comics (Blah, Blah, Blah…)

NEW COMICS 4 THIS WEEK (04/01/26)
*All comics will be rated on a scale from 1 to 10*

Absolute Superman # 18 (8.5/10)
All-New Spider-Gwen: Ghost-Spider # 9 (6.5/10)
Batman # 8 (9.5/10)
Batman/Superman: World’s Finest # 50 (8/10)
Bizzaro: Year None # 1 (8.5/10)
Captain Marvel: Dark Past # 1 (6.4/10)
Daredevil # 1 (10/10)
Deadpool: April Pool’s Day # 1 (6/10)
Eternals 50th Anniversary # 1 (7/10)
JSA # 18 (7/10)
Nova: Centurion # 6 (7.5/10)
Venom # 256 (6/10)
Wonder Man # 1 (9/10)
X-Men # 28 (7/10)

Batman # 8– Bruce Wayne teams up with Green Lantern, aka Alan Scott, Gotham’s first protector, to discuss Vandal Savage—Gotham’s current police commissioner—and the changing nature of crime in Gotham. Although this issue may feel slow and the Batman/Green Lantern crossover might seem exciting at first, it ultimately becomes a reflective conversation between the two heroes. Its strength lies in its slow pace, crafted by Matt Fraction, who splits the story into three parts: Jack Dean and Hudson Gray share their views on tackling crime in Gotham, while Poison Ivy, now Gotham’s mayor, and Vandal Savage engage in their own dialogue. This allows for social commentary that highlights their contrasting perspectives on crime and corruption, making for an intriguing read. Ryan Sook’s artwork offers a quieter tone compared to Jorge Jimenez’s, which suits his style beautifully, bringing characters like Batman and Alan Scott vividly to life. While slower than previous issues, it remains an innovative and captivating addition to the series.

Daredevil # 1– Daredevil returns in a new series with a fresh direction, led by writer Stephanie Phillips and artist Lee Garbett. Phillips immediately demonstrates her skill at crafting an authentic Daredevil story, particularly in her portrayal of Matt Murdock—a take that will please both longtime fans and newcomers. The series’s new beginning feels promising, especially with Murdock’s role teaching contract law at Empire State University, all while continuing his duties as Daredevil. This approach echoes the Bronze Age era, but instead of reverting to the old status quo or focusing solely on Daredevil’s faith, the creative team opts for a return-to-basics style that feels timely after the recent runs by Chip Zdarsky and Saladin Ahmed. It’s refreshing to see things return to normal. Lee Garbett’s artwork is as sharp as ever, making excellent use of Daredevil’s agility and bringing action sequences to life. A standout moment is Garbett’s depiction of Daredevil in various iconic costumes—from the Silver Age to the ‘90s armored suit and the jet-black look—showing deep respect for the character’s history. With Phillips and Garbett guiding the series, Daredevil is clearly in capable hands, making this an exciting time for fans of the Man Without Fear.

Wonder Man # 1– Fans of the Disney+ series will find plenty to enjoy in this new comic, which brings Simon Williams back into the spotlight as it explores both the upsides and downsides of superheroics and celebrity. From the very first issue, the story leans into the MCU connection, with Simon returning to Hollywood and facing his old acquaintance Randolph Chancellor, whom he met in prison. Randolph is revealed to have stolen $13 million, which puts Patsy Walker (aka Hellcat) in Simon’s sights. Additionally, Simon’s brother, the Grim Reaper, reenters his life. Writer Gerry Duggan skillfully balances Simon’s heroic persona with his career in action films, giving the series its unique charm and setting Wonder Man on an intriguing new path. Simon’s exchanges with Randolph evoke the playfulness of Trevor Slattery, though without the brotherly dynamic from the Disney+ show. Mark Buckingham’s art perfectly captures the vibrant, quirky energy of Hollywood, making the visuals both bold and distinctive. With this exciting new direction, the series offers a strong reintroduction for Wonder Man and promises fans plenty to look forward to.

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