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FOR IMMEDIATE RELEASE:
APRIL 17, 2026 (PORTLAND, OR) — It starts on the show floor.
Grab your badges, DREAD THE HALL H is back! The beloved annual spin-off of the best-selling Dread the Halls returns with 48 pages of convention horror, satire, and chaos from Eisner and Harvey Award-nominated writer Jordan Hart (Ripple Effects) and Syzygy Publishing founder Chris Ryall (Francis Ford Coppola’s Megalopolis)!
It’s summer convention season again, and Dread the Hall H is back with your VIP pass to 48 pages of convention-related horror stories! Attending this show are Chris Ryall, CP Wilson III, and Tom Williams, who tell connected panel-breaking tales of the con-variant craze gone amok; along with Jordan Hart and Luana Vecchio, who reveal the true terror of A-List actors getting their on-screen characters’ powers; and Hart and Marianna Ignazzi, who introduce the world to the super-powered protector of all con-goers—the CONcluder!
This issue features interior art by Luana Vecchio, C.P. Wilson III, Marianna Ignazzi, and Tom Williams that grounds the rapid descent from spectacle to something harder to shake. One story destabilizes spectacle, and another leans into obsession, and all the while, the show floor is coming apart amid the madness!
There’s also a collectable cover lineup that includes Maria The Wolf, Luana Vecchio, Jordan Hart, plus a 1:10 sketch photo/variant by Tony Fleecs and 1:20 variant from Zach Howard, which incorporates all seven elements from Hall of Fame editor “Carmine Infantino’s 7 Things Guaranteed to Sell a Comic” (gorillas, motorcycles, dinosaurs, cities on fire, purple skies, time rifts, ‘cryin and dyin’), turning the issue into a weird, overstuffed relic you pulled off the convention floor.
But the extended issue doesn’t stop there (pun incoming): “Conland,” a Candyland-style board game illustrated by Chris Anderson (American Caper), turns waiting in line into an entire experience, stretched out until it stops feeling like a joke. Not to mention, fake product one-page comics riff on ‘70s Hostess ads, just slightly off and a little too specific, but maybe aware enough to feel like they weren’t meant to be found. |