NEW COMICS 4 THIS WEEK (08/19/26)
*All comics will be rated on a scale from 1 to 10*
Absolute Flash # 18 (7.5/10)
Absolute Green Arrow # 4 (8/10)
Avengers Armageddon # 3 (6.5/10)
Batman/Superman: World’s Finest # 54 (7/10)
Daredevil # 5 (8/10)
Hornsby & Halo # 15 (7/10)
Inglorious X-Force # 8 (6.5/10)
Invincible Universe: Battle Beast # 12 (9/10)
Mortal Thor # 14 (6.5/10)
New Titans # 38 (8.5/10)
Nightwing # 141 (7.5/10)
Punisher Vs. Spider-Man # 2 (9/10)
Redcoat # 19 (7/10)
Spectacular Spider-Man: Brand New Day # 4 (9/10)
Spider-Man/Hulk: Fire And Brimstone # 1 (9/10)
Superman Unlimited # 16 (7/10)
Teenage Mutant Ninja Turtles # 21 (7.5/10)
Thundercats/Silverhawks- Mumm-Ra: The Ever-Living # 5 (6/10)
Uncanny X-Men # 34 (6.5/10)
Absolute Green Arrow # 4-Dinah Lance’s relentless pursuit of the elusive “Green Arrow Killer” takes her to The Island, where she discovers a horrifying mutant-manufacturing operation linked to centibillionaire experiments. The most intriguing part of this issue is the debut of Jubal Slade (the original 1941 Hourman villain), who appears as a Dr. Moreau-like figure involved in sinister genetic experiments. The appearance of Absolute Solomon Grundy amplifies the horror elements and highlights Dinah’s struggle for survival. While some exposition slows the pace and the midpoint of the issue becomes dialogue-heavy, especially around Hammond’s experiments, the story upends expectations about the identity of the masked Green Arrow—hinting it could be Roy Harper. The issue’s dark and horror-driven atmosphere is elevated by Rafael Albuquerque’s striking art and Marcelo Manolo’s vivid coloring, which find unexpected beauty in disturbing body horror. The reinvention of a Golden Age villain and the intense Dinah-versus-Solomon Grundy battle make this installment both innovative and compelling. Absolute Green Arrow remains a gripping series, blending impressive and grotesque body horror. It stands out as a powerful title that exposes the brutal, merciless side of the Absolute Universe, rewarding readers who appreciate its intensity.
New Titans # 38-Calling this a milestone issue is an understatement: VIRGIL HAWKINS, also known as STATIC SHOCK, officially joins the Titans! However, his debut is quickly interrupted when the team is pulled into a crisis in the Amazon Rainforest, triggered by the traumatic visions of Yara Flor (Wonder Girl). Static’s return to the spotlight is both exciting and long overdue. Jon Kent welcomes him warmly, even as Cyborg voices concerns—apparently, Jon didn’t consult the other Titans before inviting Static. Still, Static is a fantastic addition to the team. Tate Brombal’s sharp writing shines, especially in his skillful handling of character dynamics and his exploration of Static’s absence from heroism. The story finds a balance between showcasing the Titans’ relationships and setting up a major new story arc for Static, which longtime fans will appreciate. Interestingly, most of the issue focuses on Wonder Girl’s dilemma rather than Static’s return, giving her arc the spotlight and delaying Static’s full moment of glory. Still, there’s hope Brombal will deliver now that Static is back. The artwork by Sami Basri (returning to the series) and Bruno Adams blends beautifully with Brombal’s script, while Adriano Lucas’ vibrant coloring brings the issue to life. Even though Wonder Girl’s story takes center stage, Static’s return makes this an excellent jumping-on point for new readers and a thrilling time for Static Shock fans.
Punisher Vs. Spider-Man # 2 – Despite what the title suggests, this issue centers on a reluctant partnership as Spider-Man teams up with Frank Castle under one strict rule: No Killing. The “near breakup” conversation between the two highlights the stark contrast between Spider-Man’s constant banter and optimism and the Punisher’s grim seriousness. Dan Abnett’s writing expertly delves into the core of both characters, portraying Spidey as someone who sees the Punisher not just as a threat, but as a deeply traumatized figure. Their vastly different personalities remain an entertaining dynamic throughout the series. Peter Parker’s investigation into Frank Castle’s history adds intrigue to the premise, giving Peter a reason to stay close to Frank as they both try to understand each other. Seeing the Punisher use a web-shooter is a fun moment for fans. Abnett’s strong character work, paired with Alvaro Lopez’s art, brings a classic 1970s New York vibe and keeps the story moving with energy. Spider-Man himself is depicted with a more youthful appearance and approach to his abilities. Although the addition of the new villain, Psycho Sadist, raises the stakes, he has yet to prove himself as a truly formidable foe. As the conflict escalates, the standout aspect of this issue is its exceptional character work. This is shaping up to be one of the best Spider-Man/Punisher stories to date, adding new layers to their partnership and keeping readers invested, especially as the question remains whether Spidey can prevent the Punisher from descending further into darkness.
Spider-Man/Hulk: Fire And Brimstone # 1 – This high-energy team-up, written by Kevin Smith and Andy McElfresh with art by R.B Silva, focuses on an unusual spiritual conflict—the exorcism of Bruce Banner. Spider-Man and Daredevil assist Banner in a church setting to separate him from the Hulk. Filled with quips, pop culture references, and intense action (especially the humor), this issue avoids the typical team-up trope by introducing a deep spiritual and Catholic theme to Banner’s internal struggle. This bold direction is widely regarded as unique. Smith and McElfresh work well together, lending that classic Marvel energy, though their frequent one-liners and pop culture references could wear on some readers by page four—yet those are signature elements of Smith’s style. The Catholic themes set up an unexpected, meaningful premise that doesn’t feel like an overused plot device. The issue, however, also focuses on the Spider-Man/Hulk conflict, featuring villains like The Mole Man and his group, “The Manosphere” (yes, really!), which adds a confrontational tone, while a flashback of a young Bruce Banner with his mother offers an interesting look at masculinity that could be explored further. R.B. Silva’s art excels in capturing superhero action and emotion, making Spider-Man more compelling and giving Hulk a nostalgic, impressive look (no pun intended). Overall, the series starts as funny, intriguing, and thoughtful—showcasing Hulk’s savagery and Spider-Man’s humor with a vintage “Marvel Team-Up” vibe but with a sharp, potentially goofy tone. Despite that, it’s a fresh, inventive team-up that could become noteworthy over time.
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