NEW COMICS 4 THIS WEEK (09/03/25)
*All comics will be rated on a scale from 1 to 10*
Absolute Green Lantern # 6 
Absolute Superman # 11 
All-New Venom # 10
Amazing Spider-Man # 11 
Avengers # 11
Batman # 1 
Captain Planet & The Planet era # 4
Rocketfellers # 8
Silverhawks # 7
Space Ghost/Johnny Quest: Space Quest # 4
Spider-Man ’94 # 1
Thundercats/The Powepuff Girls # 3
Uncanny X-Men # 20
Amazing Spider-Man # 11– Marvel commemorates the 975th issue of ASM with an ambitious new chapter that introduces not one but two Spider-Men, including one from Earth whose identity is disclosed and is arguably the most unexpected character to assume the mantle (**NO SPOILERS**). Additionally, the issue provides answers regarding the fate of the genuine Peter Parker, who has undertaken a space odyssey while donning a new costume; meanwhile, the individual masquerading as Peter receives a reveal (which was not surprising). Interestingly, this milestone issue of ASM has been well-received, offering numerous surprises while maintaining a delicate balance between honoring its history and venturing into new territories. John Romita Jr., who continues to preserve his signature art style—an aspect that some may find somewhat disappointing—and Pepe Larraz excel in bringing Joe Kelly’s script to life, resulting in two main stories with distinct tones that are both powerful and visually impressive. It is also commendable that some of the revelations are presented at a natural pace, allowing readers to absorb them without unnecessary prolongation, thus enhancing anticipation for subsequent developments. Although this issue is densely packed with backups and carries a substantial price of $7.99 (a pricing point I hope Marvel might reconsider), it succeeds in delivering a spectacular blend of cosmic themes, twists, and turns that propel this series toward its 1,000th issue with reverence. It also effectively inaugurates an exciting new era for Spider-Man, despite mixed reactions from some fans.
Batman #1 marks DC’s first reboot of the character since 2016, initiating a new era with contributions from Jorge Jimenez, who has established himself as the leading Batman artist of this generation. New writer Matt Fraction, acclaimed for his runs on “Hawkeye,” “Punisher War Journal,” and “Sensational Spider-Man Annual #1,” demonstrates his skill with street-level characters and brings that expertise to this title. Immediately, Fraction addresses Batman’s setbacks—such as losing his fortune, home, and Alfred Pennyworth—in a way that propels Batman forward while highlighting his compassionate side, fostering a deeper connection with readers. Despite these changes, Batman remains The Dark Knight. The new costume, a modern twist on the classic blue and gray, along with a redesigned Batmobile and Alfred’s AI hologram presence, heighten excitement. The series shows that Batman doesn’t need to be overly complicated or exaggerated—just engaging. From Vandal Savage ruling Gotham as police commissioner to Batman’s strategic handling of a mutated Killer Croc, this volume brings Gotham’s vitality to life and signifies a fresh start for Batman, offering a reset that fans can truly embrace.
Spider-Man ’94 # 1– Continuing from the beloved animated series (1994-1998)—though I still dislike the theme song—this issue picks up where it left off. Unlike the series finale, it starts by reuniting Spidey with Mary Jane Watson and recaps previous events, helping new readers and providing nostalgia for fans. The story then jumps into action, introducing the animated Kaine and Morlun. Both come across as promising additions. J.M. DeMatteis, renowned for his psychological approach to Spider-Man, and artist Jim Towe expand on the show’s premise, offering something enjoyable for late ‘90s and early 2000s fans. DeMatteis’ writing brings new energy and incorporates classic themes that define a Spider-Man story. Reading it, you can almost hear Christopher Daniel Barnes’ voice—a testament to the cartoon’s lasting appeal. Towe’s artwork captures the show’s spirit while also showcasing his own style, never directly imitating the original designs. Although original writer/producer John Semper is not involved (Marvel should consider him for a follow-up), Spider-Man ’94 begins strong. While its setup has missteps (notably Mary Jane’s sudden reappearance), it serves as thoughtful fan service and proves that dreams can come true.
Well, that’s it for me. Thanks for sticking around, and I look forward to seeing you next time.
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